Jeff: Jon Batiste once at the center stage. Now we're so pleased to welcome to the Carnegie Hall microphones, Maestro Anthony Parnther. gateways music festival is changing the classical Music narrative "When Gateways musicians walk out on stage, a new line of inquiry - a new conversation - is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. The two pieces are musical cousins and were actually intended to be so. Jon: First, I would love to thank everyone who made it possible for us to be here, the ancestors who are watching over us. 3; Florence B. Prices Symphony No. Gateways is an all-Black classical symphony orchestra created in 1993 by concert pianist and educator Armenta Adams (Hummings) Dumisani. Gateways Orchestra concert, 4:00 p.m. at Kodak Hall at Eastman Theatre on Sunday, August 11, $15 for adults, $10 for students and senior citizens with ID, and free for youth under 18. Bless the Michael Morgan. As you noticed, the audience responded in-hand to what they saw visual and it was just another extra element of all of these people on stage celebrating our heritage. That'll be the next work on the program. Gateways is receiving an $800,000 award from the. When Gateways musicians walk out on stage, a new line of inquiry a new conversation is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. George Walker composed it in 2003. In NYC, five of New York Citys premier venues welcome Gateways ensembles and guest artists. Their conductor back out on stage, pointing out the different sections of the orchestra, thanking them for their performance on this program, and asking members of the ensemble to rise. Proof of vaccination is required to enter Carnegie Hall and masks must be worn inside at all times. Only one ticket is required for both the film screening and the lecture. He is a resident member of the Jacksonville-based Ritz Chamber Players, The Harlem Chamber Players, Gateways Music Festival Orchestra, and innovative chamber music theater group the Core Ensemble. -on stage, certainly, but certainly I think this was the best possible opportunity to have my first outing with this great orchestra on this great occasion. Exhausting, but exciting. I wrote this poem in the summer of 2020. They'll open the second half of the program with a big work by prolific American composer, Florence Price. This concert features Johannes Brahms Variations on a Theme by Haydn, Florence Prices Symphony No. It's a work for piano and orchestra. I can play rap. It can also serve as a beard or it can veil other, I think, less inclusive narratives. It's a world premiere. . The Gateways Music Festival Orchestra made its Carnegie Hall debut on Sunday afternoon, April 24, with conductor Anthony Parnther (far right) and Grammy Award-winning pianist Jon Batiste (in gold). He serves as teaching artist for Aspen Music Festival and the National Youth Orchestras program at Carnegie Hall. It's an incredibly exciting week for all of us. She created Gateways. Enjoy the show. Copyright 2022 New York Public Radio. 3. The orchestra just rehearsed his new piece for the first time on Thursday, it's called. She created Gateways. Music Director The Gateway Festival Orchestra of St. Louis Home Music Director Darwin Aquino, Music Director Darwin Aquino joined the Gateway Festival Orchestra as Music Director in 2019. What does it mean to have you and your colleagues in this place at this time? I just thought that it was so beautifully executed. We're delighted to welcome to the Carnegie Hall microphones, Alex Laing, who is the principal clarinet of the Gateways Music Festival Orchestra, and also with the Phoenix Symphony, and is an educator and a speaker around the country. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. Jeff: Congratulations to you, Anthony Parnther, and to the Gateways Music Festival at an amazing week in New York in an amazing combination of this concert. John: A terrific program today bookended by two sets of variations. We are going to hear the world premiere of I Can. I should have asked you that before this began, but I'll lay it on you anyway. I think it is very much Jon. You can hear that the audience, again, willing to go there and applaud each of the musicians as they stand. That composition is also being given its first hearing in Carnegie Hall in this performance. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing together professionals from leading orchestras across the country to perform and inspire communities through the power of music. We should mention too that. The Gateways Music Festival is opening up a vital future for classical music, and we are honored to be part of it." To learn more about Gateways Radio or locate stations that broadcast the series, go to GatewaysRadio.org. Special guest Denyce Graves, mezzo-soprano The mission of Gateways Music Festival is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance. Now, Batiste on his feet, really not moving away from the piano, receiving the applause from this audience and passing it on to all the members of the Gateways Music Festival Orchestra, and a deep bow from everyone on the stage. There is an improvisatory element to it. Hear both works performed by outstanding members of the acclaimed Gateways Music Festival Orchestra, conducted by longtime Marsalis collaborator Damien Sneed. Okay. They're equally important to us. KODAK HALL AT EASTMAN THEATREEastman School of Music60 Gibbs StreetRochester, NY. Also, sometimes I think we've used it to absolve ourselves as an art form from the issues of the day. . Favorites More Music Features This was a real challenge, but a little bit of everything. This April, the Gateways Music Festival Orchestra, comprised entirely of classical musicians of African descent, presents events around NYC, culminating with its eagerly anticipated Carnegie Hall debut on April 24. Carnegie Hall Live is a co-production of WQXR and Carnegie Hall. Jones and Johns are current musicians in the Gateways Music Festival orchestra and its members recorded themselves at home for WQXR to put together for a virtual from-home performance. I think that's really a significant thing that's happening right now in real-time. Take care. Lee: I think it is very much Jon. Anthony Parnther | Photo by Konstantin Golovchinsky. Three-movement work played by the Gateways Music Festival Orchestra in their Carnegie Hall debut from Carnegie Hall Live. I asked him what was it like to be at Carnegie Hall. Not heard in this place until just now by the Gateways Music Festival Orchestra. This performance is free and open to the public, but tickets are required. The final . I wrote this poem in the summer of 2020. 560 Music Center. It's a beautiful moment. What was the idea there? Dmitri Berlinsky Dmitri Berlinsky is professor of violin and artist teacher at the MSU College of Music. In fact, the third movement is called Juba, which is a type of body percussion and dance that was widely found in musical traditions of enslaved Afro-Caribbean people. You'll receive the most up-to-date information about our musicians, venues and performances delivered right to your email inbox. Alex: Well, I think as artists in this music that's called classical, we have always felt that Carnegie is a place for us, but what we think is important is we know that there are audience members that, until we grace this stage, did not know that Carnegie was a place for them. "Oh, well this is classical music. Mary also enjoys teaching private trumpet lessons with students from ages 10 - 94! Gateways musicians let their hair down in a fun, club-like environment and perform pop, R&B, Jazz, gospel, reggae and everything in between! Before I'd conceived this piece, I had this poem, and it just kept resurfacing in my subconscious. At least that's the case with her first, third, and fourth symphony. Celebrating over two decades of music making, the Grammy-nominated Imani Winds has led a revolution and evolution of the wind quintet that inspires audiences of all ages and backgrounds. To many Black musicians, the Gateways Music Festival represents a welcome haven from the isolation many face in their working lives. A very gala-feel to this event. Instead of a minuet or scherzo with trio you got a Juba. is sacred to my community. If you can see it, you can be it, is the expression. John: It is interesting that you went to Mozart and Beethoven. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing young professionals from across the country together with established musicians from leading orchestras to perform and inspire communities through the power of music. She's never taken medication. We understand its importance, so that's really significant. The chairs can be adjusted and the Brahms piano can be pushed out. I want to come back to Jeff's first question to you, which was about the significance of being here. We are going to hear the world premiere of. It would come up. It's our greatest cultural export as a nation. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. It is his heart. They'll open the second half of the program with a big work by prolific American composer, Florence Price. To come to a place where there are folks who've had a shared life experience, it's extraordinary for them. I'm from the South, and I'm from the Baptist Church tradition, and. A A. ulang. I just feel that as musicians, our first responsibility is to come together and create beauty. It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. Now we're so pleased to welcome to the Carnegie Hall microphones, Maestro Anthony Parnther. The Gateways Music Festival Orchestra makes its Carnegie Hall debut this month led by Anthony Parnther . My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" The festival originated in Winston-Salem and then moved with our founder, Armenta Hummings Dumisani to Eastman where she was on faculty. She had this great idea to provide a safe affirming space for classical musicians of African descent. Gateways Music Festival Orchestra (photo: Keith Bullis) Gateways Music Festival has received a substantial award of $800,000 from The Andrew W. Mellon Foundation. The Gateways Music Festival Orchestra from Carnegie Hall Live. I wonder if in working with them now if any vision has occurred to you? The 120-member Gateways Music Festival Orchestra, whose distinguished players hail from the nations foremost orchestras and conservatory faculties, is renowned for its bold sound, exciting interpretations and uncompromising pursuit of artistic excellence. It's full orchestra and piano and just him. Join Terrance McKnight of New York Citys classical music station WQXR for an engaging conversation with Lee Koonce (president & artistic director of Gateways Music Festival), Ann Hobson Pilot (retired principal harp, Boston Symphony) and Titus Underwood (principal oboe, Nashville Symphony Orchestra). The Festival was initially scheduled for this November, with a Rochester kick-off, but was rescheduled to next Spring due to the coronavirus pandemic. The Gateways Music Festival Orchestra made its Carnegie Hall debut Sunday, April 24, the final day of the weeklong Gateways Music Festival in association with the University of Rochesters Eastman School of Music. (University of Rochester photo / J. Adam Fenster), downloading the latest version of Internet Explorer, Gateways Music Festival Orchestra makes Carnegie debut, Fantastic Rochester undergraduate research highlighted at annual expo, How to get a job after college: 5 tips for juniors and seniors. I wonder if in working with them now if any vision has occurred to you? We purposely did not do it in Rochester because we wanted this to be the world premiere. Last week I spoke to Carl Craig, who is one of the pioneers of the second wave of Detroit techno, who played here as part of Carnegie's Afrofuturism festival. Price. Her goal was "to open the gates to classical music for musicians and audiences alike so that as many people as possible could play, see and hear the music". 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